Free PDF The Berklee Book of Jazz Harmony
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The Berklee Book of Jazz Harmony
Free PDF The Berklee Book of Jazz Harmony
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Review
When future beings unearth the artifacts of our culture, The Berklee Book of Jazz Harmony will stand out as the most complete summary of modern diatonic harmony used in jazz and popular music of this era. This book is detailed, sophisticated, and surprisingly hip. I especially enjoyed the chapter on the blues as well as how the authors noted the effect of beat placement on harmonic choices. This sentence struck me: 'We can hear and feel a chord operating one way when it arrives, but our interpretation of that chord can also adjust retroactively.' The book is replete with similar descriptions giving this complicated subject a life of its own, beyond the usual mathematics and terminology. --Dave LiebmanThe Berklee Book of Jazz Harmony is eminently readable and user-friendly. The authors present the principles of jazz harmony and chord scale theory clearly and invitingly. --Keith Waters, jazz pianist, theorist and author of The Studio Recordings of the Miles Davis Quintet, 1965 68Clear, thorough, and practical, The Berklee Book of Jazz Harmony is indeed a welcome key to understanding not only the richness and order of jazz harmony, but also the many musical styles deeply touched by jazz harmony's broad influence. --Michael Rendish, Founding Harmony Chair, Berklee College of Music
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Product details
Paperback: 264 pages
Publisher: Berklee Press; Pap/Com edition (August 1, 2013)
Language: English
ISBN-10: 0876391420
ISBN-13: 978-0876391426
Product Dimensions:
9 x 0.7 x 12 inches
Shipping Weight: 2 pounds (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
45 customer reviews
Amazon Best Sellers Rank:
#35,218 in Books (See Top 100 in Books)
Although I have been a classical pianist for over 10 years, I have always had a desire to learn jazz. I've taken lessons from several teachers but have never been able to effectively grasp the concept of improvisation and harmonization. Improvisation in classical music is non-existent. With that being said, this book has been a life changer. It should be known that this book is definitely not for beginning musicians. Although it briefly goes over chords in the introduction, if you are brand new to music, I would not recommend this book. However, since I bought this book with some sort of background knowledge on music theory, it made it slightly easier to comprehend. This book is quite advanced and may seem tedious at times, but this is only because it goes into such great detail. Even though I was frustrated at times trying to grasp all the information, I stuck through it and learned so much. If I can go through this book from cover to cover, so can you!
I can only assume all of the positive reviews are from people who bought a printed version.I purchased the kindle version of this book and it is basically useless. You would think that Berklee would have the resources to hire someone who knows how to produce a kindle book.This "eBook" is basically a PDF which cannot be used on a phone or tablet unless you have really "really" good eyesight.I have produced a number of books for sale on Amazon and our customers would be furious if we did this, and rightly so.To be fair, when I view it on my desktop, the actual content looks good, I was going to print the book out, but the resolution is fuzzy. This would not be an issue if it were just words we were talking about here, but reading fuzzy music notation just isn't worth it.If you zoom in on the staffs, they attempted to use numeric notations and you have no shot at actually reading the notation even with the best of eyes.I was really looking forward to reading this book, but it simply isn't worth the frustration.
There's a lot to take away from this book if your an intermediate music dude.Each chapter is a different existing idea in jazz that's worth writing down outside the book to look into via youtube or wherever else. However, even without other sources(for me anyway) i was able to understand the ideas clearly. ideas which i'm very grateful for.secondary/extended dominants, tritone subs, and modal interchange, constant structures, diminished chord functions. Really Cool Stuff.my one critique i guess is that it's kind of hard to get passed the heady/indulgent vernacular. the worst is in the beginning and it just feels like the authors are actually trying to avoid giving these ideas to folks outside academia. just feels like that anyway, might be reading too much into it.i'm self taught when comes to theory stuff and if you think you wanna try to discipline yourself, this book can help. i recommend it.
I was struggling to understand & learn the fundamentals for jazz harmony, trying to stick together many bits of information coming from multiple different books. This book has a very solid structured approach and teaches you everything you need to now step by step. As a person who have already bought and tried many books from Amazon, I would highly recommend this one. Note that this book is not for complete beginners, you are already expected to have good music theory fundamentals.
This book is helping me a lot, despite the fact that I don't write any jazz music at all. I focus in pop and electronic. I am self-taught and I consider myself a medium level in piano playing. Since the music I make doesn't use big chords such as nine, or 10 etc I just jump these sections when they come up. I make my best to learn everything up until 7 chords on each chapter. Sometimes I have problems in reading the music notation but, then I read more than once their explanations or throw the scale on google and I can understand perfectly the notes they are showing on the staff. However, they do show in most cases, which notes they are using to form the chords for people who can't read music, but as you move forward these become scarce.I also feel that the major scale section is so much easier to follow up. Feels like they put more effort there, giving you a more detailed insight than on the minor scale harmony chapter, and this is a throwdown for me because I like minor scales better than major scales. Basically they force you to understand properly the majors before you deep into the minors and this is driving me nuts. I wanted to dominate the minors first! heheAnyways no regret with this book and I wish they could release this type of book directed exclusively for pop music or other genres cos it is super useful.
This is a great book if you are into the real inner workings of tonal music. Many folks learn basic chords and scales in order to improvise.This book however is hard core tonal theory. It covers things like chord function, arranging, voice leading and exceptions to common rules.a 'must buy' for cats
I am a Berklee Alumni and I bought this book as a self study refresher. Very good for that purpose. I intend to keep it on my shelf along with all of my old notebooks as a reference. Well written and well organized. To get the most out of this book you should have a basic knowledge of music theory.
Comprehensive. Understandable and well written lessons. Essential information for any serious jazz or contemporary musician or songwriter. The insight provided here will provide a lifetime of tools and inspiration. This is one of the three best music education publications I own. Highly Recommended.
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